and more pointedly than previous poets had. "Tradition and Individual Talent.S Eliot: Analysis." All Answers Ltd. Eliot attempts to do two things in this essay: he first redefines tradition by emphasizing the importance of history to writing and understanding poetry, and he then argues that poetry should be essentially impersonal, that is separate and distinct from the personality of its writer. And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity. 2, yet if the only form of tradition, of handing down, consisted in following the ways of the immediate generation before us in a blind or timid adherence to its successes, tradition should positively be discouraged. Does the silkworm expend her yellow labours. II, honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry. 10, iI, honest criticism and sensitive appreciation is directed not upon the poet but upon the poetry. In short, knowledge of writers of the past makes contemporary writers both part of that tradition and part of the contemporary scene. Eliot's second point is one of his most famous and contentious.
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There are many people who appreciate the expression of sincere emotion in verse, and there is a smaller number of people who can appreciate technical excellence. For thee does she undo herself? I say judged, not amputated, by them; not judged to be as good as, or worse or better than, the dead; and certainly not judged by the canons of dead critics. These experiences are not recollected, and they finally unite in an atmosphere which is tranquil only in that it is a passive attending upon the event. Second, This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. For Eliot, great poets turn personal experience into impersonal poetry, but this nevertheless means that their poetry often stems from the personal. "The historical sense involves a perception, not only of the pastness of the past, but of its presence". And in Shakespeare and the Stoicism of Seneca, Eliot would acknowledge that the poet of poets, Shakespeare, must have done such a thing: the Bard was occupied with the struggle which alone constitutes life for a poet to transmute his personal and private agonies into. Tradition and the Individual Talent. I think Historical Sense means readjustment of the past with the present.