Best Years of Our Lives? The volume brings some of the most articulate young voices in international Benjamin scholarship together, and takes an interdisciplinary approach, covering wide-ranging fields of knowledge quantum physics, postcolonial studies, natural philosophy, psychoanalysis, film theory, literature, and the arts. What (and how much) would it do? How (and how well) would such work work? These, the intrinsic questions and debates, have their own momentum and energy, but derive extra charge from an associated set of extrinsic questions regarding noir s relationships to other, non-cinematic social trans- formations, especially shifts in gender identities and relationships in the post-wwii.S.
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Adorno, Sigmund Freud, Gottfried. The critical potential of constellations in Benjamins work and beyond will be of the highest interest for researchers and students in all areas of the Humanities. When we think about film noir in the present, it is well to remember the categorical instability that has dogged its tracks from the moment French critics coined the term in the mid-1950s as a retrospective tag for a bunch of previously withheld American films. The Wretched of the Earth for a post-colonial subject on the other side of a war of national liberation for which there was finally, in the.S. Their emergence and urgency for us is, after all, inevitably consequent upon the dimming of the revolutionary horizon, and the loss or confusion of revolutionary faith, not only within the socialist Left but throughout all the other feminist and minority movements in the 70s and. Noir, then, as coded alternative or as alternate flavor of the month, something to put alongside vanilla, chocolate, strawberry and. A Cross-National Analysis of the Rise and Decline of Alternative Actions Organizations in Europe by, angelos Loukakis and, christian Lahusen, alternative collective initiatives often emerge during hard times, supporting citizens and helpin. To this end, citizens organize formal and informal alternative action organizations (AAOs). More crudely still, how far can a work go and still get made and distributed within a system whose various structures are all overdetermined by capitalism and patriarchy (not to mention racism and homophobia)? Double Indemnity, Jane Greer in, out of the Past, Gloria Grahame in, the Big Heat, together with noir s characteristically deviant visualityits cramped asymmetrical framings, its expressionistically harsh lighting contrasts and lurid shadows, the whole twisted and uncertain spatiality of it matching the male protagonists. It offers a comparative, systematic analysis of the age structure and the activity rate of AAOs in nine European countries (Greece, Germany, Italy, France, Spain, the United Kingdom, Poland, Switzerland, and Sweden for the period. Nassima Sahraoui, Caroline Sauter (Hg.
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