implanted memories who are still suffering today." "valuehunterPR" responded to my comment with: "This kind of comments either appear as totally detached from reality, a big problem all by itself, or this kind. Often from poor immigrant families, gangster characters often fall prey to crime in the pursuit of wealth, status, and material possessions (clothes and cars because all other "normal" avenues to the top are unavailable to them. And Lewis Milestone's The Racket (1928), a Howard Hughes-produced film, concentrated on big-city corruption and a municipality controlled by the mob, and was banned in Chicago because of its negative depiction of the police. They date back to the early days of film during the silent era.
The first "100 all-talking" picture and, of course, the first sound gangster film was The Lights of New York (1928) - it enhanced the urban crime dramas of the time with crackling dialogue and exciting sound effects of squealing getaway car tires and gunshots. It won the Best Original Story Award for Ben Hecht - the first Oscar ever awarded for an original screenplay, and the first of Hecht's two Oscar wins (among six writing nominations during his career). As with the Devil himself, the two best strategies for his success are either total obsession with him OR to totally deny his existence as ridiculous ancient superstitions. None of it happened. Crime films encompass or cross over many levels, and may include at least these different types of films: the gangster film, the detective (or who-dun-it) film, the crime comedy, the suspense-thriller, and the police (procedural) film. Crime stories in this genre often highlight the life of a crime figure or a crime's victim(s).
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